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Marina Benjamin

Senior Editor, Aeon+Psyche

Marina is a former arts editor of the New Statesman and deputy arts editor of the Evening Standard newspaper in London. Her books include, Living at the End of the World which looked at end-time cults, Rocket Dreams, an off-beat elegy to the Space Age, and Last Days in Babylon, the story of the Jews of Iraq. Marina specialises in the culture of science, developmental psychology and strong personal narratives. Her acclaimed memoirs The Middlepause and Insomnia have been translated into 9 languages. Her latest memoir A Little Give will be published in 2023. She can be found on Twitter @marinab52.

Written by Marina Benjamin

Edited by Marina Benjamin

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Technology and the self

Tomorrow people

For the entire 20th century, it had felt like telepathy was just around the corner. Why is that especially true now?

Roger Luckhurst

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Music

Folk music was never green

Don’t be swayed by the sound of environmental protest: these songs were first sung in the voice of the cutter, not the tree

Richard Smyth

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Design and fashion

Sitting on the art

Given its intimacy with the body and deep play on form and function, furniture is a ripely ambiguous artform of its own

Emma Crichton Miller

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Metaphysics

The enchanted vision

Love is much more than a mere emotion or moral ideal. It imbues the world itself and we should learn to move with its power

Mark Vernon

Artwork depicting a family group composed of angular lines and triangles, some but not all coloured, on a paper background
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Family life

A patchwork family

After my marriage failed, I strove to create a new family – one made beautiful by the loving way it’s stitched together

Lily Dunn

A weary looking medical staff member in scrubs and face mask sits at a desk in a hospital room surrounded by medical paraphernalia
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Public health

It’s dirty work

In caring for and bearing with human suffering, hospital staff perform extreme emotional labour. Is there a better way?

Susanna Crossman

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Stories and literature

The real Miss Julie

Victoria Benedictsson assumed a male identity, achieved literary stardom, and took her own life. Then Strindberg stole it

Elisabeth Åsbrink

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Religion

There was no Jesus

How could a cult leader draw crowds, inspire devotion and die by crucifixion, yet leave no mark in contemporary records?

Gavin Evans

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Animals and humans

An animal myself

When we imagine ourselves as another creature, we become more attuned to the world around us – and better at being human

Erica Berry

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Information and communication

How to hate

The manifesto was always a hotheaded call to arms. Then it got a slick, digital makeover in the cause of coldblooded hate

Tyler Thier

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Architecture

The subtle art of elevation

Architectural drawing speaks of mathematical precision, but its roots lie in the theological exegesis of a prophetic book

Karl Kinsella

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Subcultures

Of memes and magick

Bending a mysterious world to your will was the goal of esoteric practices. Now it’s the unashamed aim of the tech titans

Tara Isabella Burton